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کتنا تنہا تنہا سا ہے

کتنا تَنہا تَنہا سا ہے
دل کی بات نہیں کہتا ہے

یہ کیسی اُس کی عادت ہے
وہ تَنہا سب کچھ سہتا ہے

یاد مُجھے جب تیری آئے
دل ٹھنڈی آہیں بھَرتا ہے

رُوٹھ نہ جائے یار ہَمارا
ہوا چلے تو ، دل ڈرتا ہے

یہ خالی باتیں ہوتی ہیں
کون کسی بن اب مرتا ہے

اِک دن مجھ سے کہا تھا اُس نے
تُو مجھ کو اچھّا لگتا ہے

اِک دن میں نے خواب میں دیکھا
اُس نے مجھ کو مار دیا ہے

اب میں گھر لے آیا ہوں جو
میرؔ اُداسی چھوڑ گیا ہے

لوگ ندیم ندیم کہے ہیں
کون ندیم یہاں بنتا ہے

تعلیل احادیث صحیحین: امام ابو حاتم وأبو زرعہ كی آراء كا تنقیدی جائزہ

It is unique and high distinction of the Muslim Ummah that they have saved the teachings of Prophet Muhammad (PBUH). There have been high profile scholars who had dedicated their lives for the investigation of veracity and authenticity of Ḥadīths. They have been sifting the narrators of Ḥadīths through the myriad of resources to endorse or reject the authenticity of Ḥadīths. Amongst these eminent scholars, Imām Abū Ḥātim and Imām Abū Zur'ah, who made great contribution in the field of Elal Ḥadīth. Both criticized Aḥādīth some of which are quoted in Sahih Imām Bukhārī and Sahih Imām Muslim. Both books have always been taken as an authentic source for the veracity of Aḥādīth. However, they have pointed out a few such aspects which are vital for keeping the veracity and authenticity of Aḥādīth. This article is an attempt to study those Aḥādīth as quoted in the two above mentioned books and were criticized by Imām Abū Ḥātim and Abū Zur’ah in their book Elal Ḥadīths, by comprising with sayings of the concerned scholars. The most accurate aspect has been elaborated.

Cultural Marxism: Pursuit of Pleasure Principle in Uzma Aslam Khan's Trespassing And Geometry of God

Cultural Marxism: Pursuit of Pleasure Principle in Uzma Aslam Khan's Trespassing And Geometry of God This study explores the impact of Cultural Marxism: the way pleasure principle has been displayed in contemporary Pakistani fiction, especially two novels of Uzma Aslam Khan, Trespassing and Geometry of God. This study is concerned with the impact of linguistic practices of parents and elders on the life and activities of their children. The research starts with questions which are concerned with the factors responsible for pursuit of pleasure principle by characters in the novels of Khan. It also deals with the use of ideologically contested vocabulary and its significance in moulding the thoughts of young characters. Literature related to importance of culture in the life of human beings, language as a part of culture, effectiveness of language in moulding thoughts of people, process of socialization, role of parents and environment in socialization of children, social change and role played by language in introducing social change, forms part of critical discussion in chapter two. While chapter three is concerned with the methodology adopted for analysis of the novels. The study makes use of framework of Critical Discourse Analysis by Norman Fairclough under the umbrella term of poststructuralism in the light of Sigmund Freud's theory of pleasure principle for analysis of linguistic practices of characters in the novels of Khan. Based on the analysis and interpretation of novels in chapter four: in chapter five conclusion is drawn which makes explicit that unconscious and careless linguistic practices of parents and elders, their unfulfilled desires in the past, their social commitments and lack of restriction on their children; are various factors which put children in pursuit of pleasure principle in their practical life. In this way, parents, elders and children introduce counter discourse based on pursuit of pleasure principle to the established discourse of values and norms in upper middle class of Pakistani society, as depicted in the two novels of Khan.
Asian Research Index Whatsapp Chanel
Asian Research Index Whatsapp Chanel

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